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In the Cities, 2007, 40 x 30, oil on Canvas, NFS
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Identity, 2007, 48x60, oil on linen, NFS
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The Advancing Sieve of Time Coagulates Waves Into Particles at the Moment 'NOW', 2008, 54x48, oil on linen, NFS
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Greenlyrical, 2007, 32x62, oil on linen, NFS
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AKA, 2008, 48x36, oil on canvas,NFS
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Our Silent Understanding, 2008, oil on linen, 48x84, NFS
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Knickerbocker, 2007, 36x48, oil on canvas,NFS
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Winter Light, 2006, 30x40, oil on canvas,NFS
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climb, 2010, metal photo print, 24x36, $750 edition of 3
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McCaw, 2010, metal photo print, 24x36, $750 edition of 3
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Back, 2008, metal photo print, 24x36, $750, 24x36 edition of 3
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you live Hope takes flight, 2010, metal photo print, 24x36, $750, edition of 3
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Indie Game, 2014, metal photo print, 36x24, $750 edition of 3
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We Don't Make This Stuff Up, 2009, metal photo print, 24x36, $750 edition of 3
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A Weekly Gay-Ass, 2008, metal photo print, 24x36, $750 edition of 3
M R McDonald is a photographer, living in Central Washington, who shoots almost exclusively publicly available surfaces from downtown Seattle, Pike Place, and Capitol Hill.
His subjects are decaying areas, predominantly of posters, subject to the onslaught of weather and time, found on telephone poles, cement walls, construction sites, garbage bins, and electric boxes, etc.
He is also a painter — a radically non-representational painter: no narrative; no messages or ‘content;’ and, no expression. Just forms — line, mass, color, and their dynamic interplay.